What terms did Wagner prefer to use for leitmotifs?

Wagner preferred the terms "Grundthema" and "Hauptmotiv" to describe his concept of leitmotifs. The term "Grundthema" translates to "fundamental theme," which emphasizes the idea that these motifs serve as foundational elements in the composition, representing various characters, emotions, or ideas throughout his operas. "Hauptmotiv," meaning "main motive," further signifies the central role these motifs play in the development of the musical narrative.

Wagner's use of these terms highlights his innovative approach to music and drama, as he sought to create a more cohesive and interconnected experience for the audience, linking music directly to the plot and emotional nuances. This reflects his desire for music to serve not just as an accompaniment, but as an integral part of storytelling in opera.

The other options focus on different musical concepts; they do not relate to Wagner's terminology for leitmotifs. For example, "libretto" refers to the text of an opera, while "recitative" pertains to a style of delivery that mimics speech. Understanding the specific terms that Wagner preferred helps to clarify his unique contributions to music and opera.