Type 2 audiation involves:

Type 2 audiation refers to the process of internally hearing and comprehending music that is read but not heard in real-time. When engaging in Type 2 audiation, a musician reads either familiar or unfamiliar music notation and mentally processes it without the need for sound input. This ability is crucial as it allows musicians to envision and understand musical structures and concepts through written music, making it a fundamental skill in music literacy and theory.

The other options do not accurately represent Type 2 audiation. Listening to recorded music is more about auditory perception rather than the cognitive processing of written music. Creating original compositions involves a different set of creative skills and is not specifically tied to reading music. Improvising music in real time focuses primarily on spontaneous performance rather than the internalization of written notation. Hence, the emphasis on reading and interpreting music aligns perfectly with the concept of Type 2 audiation.